Duration 1′ – REMAX interrogates the authority of images by turning a forensic lens toward the glossy press as a soft-power media apparatus, images whose polish and technical virtuosity have historically naturalised particular scientific and geopolitical narratives. Through an intensive process of remediation -video close-ups of halftone print, Super 8 re-recordings from a television screen, and subsequent digital reframing, the work destabilises visual certainty and exposes the ideological scaffolding beneath through the archaeology of print, video and film. Iconic imagery of the moon landing and of colonial wars in Southeast Asia flickers alongside evolutionary spectacle and environmental mythologies, revealing how technological triumph, imperial conflict, and scientific cosmology circulate within the same aesthetic field of authority. A recurring portrait of a corpse punctures this field, returning the viewer to the material consequence of abstraction and spectacle. Accompanied by a soundtrack derived from telecine static and magnetic rewind, REMAX dissolves the pristine surface of institutional imagery, suggesting that what appears as neutral documentation is inseparable from generational myth-making and the subtle manufacture of belief.